11号住宅二期

公司：	Beautbureau	类型：	建筑
地区：	泰国	标签：	别墅私宅

项目11号住宅而且是第一个11号住宅业主的童年家园。这座简陋的两间卧室、两层楼高的独立屋，有一个两车位的车库，住着一家五口，后来因为需要更多的空间而搬走。之后的近二十年里建筑逐渐老化，但最近，客户的其中一个兄弟回到这个社区，在老家的土地上重新建造了一栋建筑。

The first House #11 was the childhood home of the architect-owner of #11 II. The modest two-bedroom, two-storied detached house with a two-car garage housed the family of five, which later moved out due to the need for more space. The structure was then demolished, and the property emptied, for nearly two decades. One of the siblings has recently returned to the neighborhood to re-build on the old family lot.

建筑师将一座新的三室两层楼房叠加在第一座房子近似L型的基座上。在芒果树生长的老草坪上，在地段的西南角，一个双层建筑，里面是建筑师的办公室。项目将住宅和办公室与两层的室外露台连接起来，实际上，形成了一个由四条线划定的九个区组成的建筑院落，这也向经典的九宫格致敬。

The architect superimposed #11 II –a new three-bedroom, two-storied house—on top of the approximate L-shaped footprint of the first. Over the old lawn where mango trees grew, at the southwest corner of the lot, now sits an addition –a double-storied building that houses the architect’s office. Connecting the residence and the office with outdoor terraces on both levels, in effect, makes an architectural compound of nine quarters demarcated by four lines (#) —a nod to the classic nine-square-grid pedagogical instrument.

在480平方米的小地块上，空间对场地边界进行退让与后移，形成了许多内部花园和开放空间。两个绿色的庭院占据了九个方块中的两个，而中间则完全向天空开放。

On the small plot of 480 sqm, the additional programs necessitate minimizing perimeter setback on all sides, which results in the spatial configuration that internalizes gardens and open spaces. Two green courtyards occupy two of the nine quarters, while the center is left entirely open to the sky.

上层的卧室和办公空间排列在独立的角落里，都有很高的层高，被黑色格子外墙所包围。开放式的露台、阳台和走道连接着各个体量。其空间特征类似于传统的泰式住宅，其中卧室、起居室+餐厅、厨房围绕着一个高架平台上的开放平台。办公空间的底层是通风的，有充足的开口和可以滑动的隔断，就像是传统泰式住宅平台下的多功能底层空间。

Bedroom and office pavilions on the upper level are high-ceilinged, arranged in separate corners, and enveloped in black latticed facades. Open terrace, verandah and walkway connect the pavilions. The spatial characteristics resemble that of the traditional Thai house (Ruen Thai), in which individual pavilions –bedrooms (Ruen Non), living + dining area (Hor Nang), kitchen (Ruen Krua) — are clustered around an open terrace (Charn) on an elevated platform. The ground floor of the office building is multipurpose and airy, with ample openings and sliding partitions, mimicking the versatile ground floor space underneath the platform (Tai Thun) of the vernacular Ruen Thai.

黑色的格子外墙是由木塑复合材料制成的预制板，虽然它们的制作方法参考了传统泰式墙面的花纹木板，但其图案是抽象的，颜色是饱和的和强化的，带来了当代的美学体验。黑色的外墙包裹着实墙和空隙，形成了一个看似单体的高架，形成了盘旋在底层白色体量之上的视觉效果。

The black latticed facades are prefabricated panels made of wood plastic composite. While their (pre)fabrication method references that of patterned wood panels (Fa Pakon) that constitute Ruen Thai’s walls, the pattern is abstracted, the color desaturated & intensified, and the aesthetics contemporized. Wrapped over both the solid walls and the voids, the black skin unifies the entire upper level, forming an elevated cluster of seemingly monolithic masses that hovers over the monochromatic white components of the ground floor.

在项目的其他材料色调中，“怀旧”也扮演了重要的角色。使用的新的材料被刻意地与第一栋住宅区分开：水磨石、泰国当地的大理石、木制门窗、有质感的水泥涂料、风化的黄铜等。于是旧的记忆就被保存在新的材料之中了。

Nostalgia plays a significant role in the rest of the material palette. New materials —most prominently the facades’ and exterior decks’ wood plastic composite—are deliberately countered with the old set of materials from the first House #11: terrazzo, local Thai marble, wooden doors and windows, textured cement render, weathered brass hardware and fittings. Memories of the old are preserved within the materiality of the new.