葡萄牙小教堂与冥想室

公司：	Studio Nicholas Burns	类型：	建筑
地区：	葡萄牙	标签：	宗教空间

场地

场地处于丘陵之中，遍布令人印象深刻的巨石（覆盖着地衣和苔藓）以及来自橡树的花棚。项目在围墙和前景，自然水流景观中创造出房间中的空间。该设计是对场地的回应，同时仍然保留了建筑的功能。

Site

The energy of the knoll, impressive boulders (covered in lichen and moss), and a bower from the oak trees; creating spaces within rooms in the landscape without the need to take away from it. Enclosure and prospect, natural water flow. The design was a response to the site whilst still allowing the function of the building.

设计师被要求为教堂设计一个包含60个座位的空间，以及一个冥想室。各种空间的体积受到巨石和树木位置的限制，高度是由几年后树木生长的高度决定的，它们会变得更高，掩盖建筑的最高点。景观将围绕和包裹着建筑，并成为它的一部分。

I was asked to allow for 60 seats and a standing room, space for the 18th century alter, and a meditation room. The volumes of the various spaces were constrained by the location of the boulders and trees. The height was determined by the height of the trees growing in a few years and becoming taller, concealing the highest point of the building. The idea that the landscape will grow around and envelope the building of time and become part of it.

轴向透视槽的排列是为了让午后和清晨的阳光进入空间，这个想法是为了让人感觉到一个真实的空间，因为它将人的视线向上挤压，允许情感上的反应和物质上的抽象化。

The axial fenestration slots aligned to allow late afternoon and early morning sun into the spaces, the idea of a space that felt uplifting in a real way as it squeezes you upwards allowing an emotive response and an abstraction of materiality. The shape of the plan set around the boulders.

材料

为了使池塘在巨石之间流动，也为了创造一个内外一致的中性表面，需要可塑性，混凝土第一选择。项目还使用了该地区的一种板岩，板岩应用的粗糙度是为了让建筑更像一个景观，并为苔藓和地衣提供栖息地，随着时间的推移，项目将与场地融为一体。

Materials

Concrete made sense; plasticity was required for the form to flow in between the boulders for the ponds and also for the form as well as creating a neutral consistent surface inside and out. A type of slate from the region. The stone and the roughness of the application were intended to allow the building to read more like a landscape and to provide niches for the moss and lichen to inhabit over time strengthening that notion. Like a foil or frame for the lightroom and candle room set against the landscape.

空间

项目旨在创造一种抽象，隐藏和揭示光线的氛围。在空间序列的设计中使用光影作为主要元素，将视野具体集中在天空和水面上，并以详细的方式集中到景观元素的部分。通过把这些元素从背景中拿出来，改变了与景观的关系，与自然的产生更深的联系。让在此祷告的人更多的感受空间而不是专注于物质性。

Space

To create an abstraction, concealing and revealing light and views; using shadow as a material in the design of spatial sequences. Focusing the views specifically on sky and water and to parts of landscape elements in a detailed way. Changing the relationship with the landscape by taking these elements out of context. A different way of looking…and a layered and deeper connection with nature. To feel the spaces rather than be focused on the materiality. The natural light and the candlelight providing warmth and a sense of nurturing.