Forêt公共装置

公司：	mecanismo	类型：	景观
地区：	法国	标签：	艺术装置

项目Fôret最终成为Conconntrico Festival与Métropole Rouen Normandie合作组织的国际竞赛的获胜作品。在2019年年初与Métropole Rouen Normandie和NFB组织的双年展时，项目Forêt 的概念开始被成型，侧重于艺术和森林（由于其在该地区的巨大延伸）的整合，促进周围自然的分期。在此背景下，我们的提案是作为一种干预措施而诞生的，它能使人们意识到自然和城市之间的实际和根本性的分离。

The project Fôret turned out to be the winner of the international contest that the Concéntrico Festival in collaboration with the Métropole Rouen Normandie organized at the beginnings of 2019 with reason of the biennial organized by the Métropole Rouen Normandie and the NFB, La Forêt Monumentale is conceived as an art biennial focused on the integration of art and forest (due to its great extension in the region) promoting the staging of the surrounding nature. Inside this context, our proposal was born as an intervention that creates awareness of the actual and radical detachment between nature and the city.

如今，我们已经习惯了自然和人工之间的割裂性。自然和城市是分开的。但是我们相信，城市和森林是相容的，并具有共同的组织特质，使它们相互补充。设计的目标是森林与城市的融合。为此，我们从人的尺度出发，从30块层叠的松树板及其严格的几何形状出发，以其自然化和几何适应性来创造森林。

We have got used to the no coexistence between natural and artificial. Nature and urban design confront often separated by unbreakable limits. However, we believe that the city and forest are compatible and share organizational qualities that make them complementary to each other. Our objective is the integration of the forest in the city. For this, we started from the human, from the 30 laminated pine tree panels and its strict geometry to create a forest by its naturalization and geometric adaptability.

从面板的形式上的自然化及其对树种的操作，给了一个有机而复杂的空间，但还是基于简单的几何规则。我们将从鲁昂植入圣塞弗教堂前的这个生态系统，利用城市的空隙，有能力在整个城市中原子化和扩张。通过这种方式，我们创造了一个系统，产生了一个城市森林，市民可以渗透和穿行其中。一个空间，就像在自然界中一样，导致光、影和空间情况的多样性。

The formal naturalization from the panels and its manipulation to the arboreal gave place to an organic and complex space, based nevertheless in simple geometric rules. This ecosystem that we are going to implant in front of Saint-Sever church from Rouen, taking advantage of the urban void, has the capacity to atomize and expand throughout the city. In this way, we create a system that generates an urban forest that the citizens can permeate and walkthrough. A space that, as in nature, results in light, shadows and diversity of spatial situations.

项目Forêt的材料来源于30块2500x1220x30毫米的松树层板，我们将其放置在一个1,4x1,4米的正交网格中。通过 "归化 "的过程，我们介入了不同尺寸的面板切割角度。因此，从原来的矩形面板中，我们得到了不同的三角形部分，结合自己，符合斜方形的数字，给不同的树木的地方，高度超过4米。

La Forêt has its material origin in 30 laminated pine tree panels of 2500x1220x30 mm that we placed shaping an initial orthogonal grid of 1,4x1,4 m. By the process of ‘naturalization’, we intervene the panels cutting angles of variable dimensions. Thus, from the original rectangular panels, we obtain different triangle pieces that combining themselves, conform rhomboidal figures that give place to the different trees, with heights taller than 4 m. These trees joined together within the original grid, originate the forest.

有5种高低不等的树，由8个三角形碎片组成，每个碎片有4种不同类型。每棵树的碎片通过插入面板的机械化边缘的3种金属碎片连接起来，一种在底部，另一种在中间，最后一种在远端，使不同的树之间的连接。为了产生更大的视觉复杂性，结合了不同色调的镜子，重现了秋天森林的多彩。

There are 5 types of trees ranging in height, formed by eight triangular pieces of 4 different types each. The pieces from each tree connect themselves by 3 types of metallic pieces inserted in the mechanized edge from the panels, one in the base, other in the centre and the last one in the far end that allows the connection between the different trees. To generate a greater visual complexity, some of the faces from the trees incorporate mirrors in different shades, recreating the colourful from the forest in autumn.

整个装置是在车间里预制的，可以在原地以非常简单和快速的方式建造，就像一个三维拼图一样。这使得它可以在不留痕迹的情况下被拆解并运输到其他地方。项目位于法国鲁昂（Rouen）圣塞弗教堂前，从2019年9月20日开始，所有的行人都会去参观和行走。

The whole installation, prefabricated in a workshop, can be built in situ with great simplicity and speed as if it was a tridimensional puzzle. This allows it to be disassembled without leaving a trace and transported to some other place. Fôret, located in front of Saint-Sever church, in Rouen (France) will be visited and walked by all of the pedestrians from September the 20th 2019.