纯白色的婚礼场地Found

公司：	PHTAA living design	类型：	建筑
地区：	泰国	标签：	无

Found是一个用于婚礼的场地，其设计是基于对经典立柱、柱顶和飞檐的重新诠释，这些立柱、柱顶和飞檐都来自曼谷的Nothasin——一家古老的灰泥粉刷店，以家具和建材而闻名。商店的后院摆满了各种风格的立柱和柱头。其中一些被雕刻成卷曲的形状环绕在其他柱子上。在另一个角落，为了展示定制商品，一系列飞檐被安装在墙上，看起来像一件艺术品。

The architecture of Found is based on the use and reinterpretation of the classical columns, capitals and cornices sourced from Nothasin, an old concrete stucco shop in Bangkok, known for its furniture and material shops. The shop’s backyard was ﬁlled with leftover columns and capitals in many styles. Some of the columns had been sculptured to curl around others. In another corner, to show what could be ordered, cornices were mounted together on a wall in a way that made them look like an art piece.

▽庭院空间

▽Nothasin各式各样的灰泥柱

灰泥是一种由骨料、粘合剂和水制成的建筑材料，用作墙壁和天花板的装饰涂料，在建筑中也用作雕塑和艺术材料。它起源于古代的希腊和罗马文化，时至今日仍是流行的“古典风格”。但灰泥的使用往往是不恰当的，要么是在错误的环境中(如展示财富)，要么是在错误的规模下(如在住宅建筑中)，因此使其变得不那么受欢迎。团队希望引进一种新的使用方式，以不同的手法和模式来展现其效果，他们称之为“AUTHENTIC FAKE”。

Stucco, a construction material made of aggregates, a binder, and water, is used as a decorative coating for walls and ceilings and as a sculptural and artistic material in architecture. It originated in ancient times with Greek and Roman culture and its popularity has remained as ‘classical style’ until recently. Unfortunately, often it is used inappropriately, either in the wrong context (for example to show wealth) or wrong scale (for example in domestic architecture), so has become less popular due to these associations. We were interested in introducing stucco in a new way, with different usage and patterns in a style we call ‘AUTHENTIC FAKE’.

考虑到客人从到达大厅到座位的动线，Found的空间被排序和分隔。在经过雕塑之后，客人可停留的节点有三个:照片画廊，带签到簿的登记处，以及与新郎新娘合影的空间。节点之间的距离长短取决于每个节点控制人员移动的时间。落座区域的雕塑是通过从一簇柱子中雕刻出来的，而节点则使用相邻的柱子来创建弧形的墙壁。

Spaces in Found are sequenced and separated in consideration of the ﬂow of guests from arrival to seating in the main hall. After the drop-off sculpture, there are three nodes where guests stop: a photo gallery, guest registry desk with sign-in book, and space where guests can be photographed with the bride and groom. Distances between nodes are longer or shorter depending on time spent at each node to control the movement of people. The drop-off sculpture is made by carving out space from a cluster of columns, while the nodes use columns next to each other to create circular walls.

▽入口雕塑细节

▽庭院细节

在另一个区域，团队创造了一个“柱的花园”，由五种形状各异的柱头组成的立柱堆叠在一起，排列成一个网格。这是一个供客人探索和拍照的区域。在“柱的花园”和有序的节点之间充当一个多功能庭院，其中包含楼梯和阳台，新娘可以在婚礼后在此抛捧花。

In another area, a “garden of columns” was created with columns made of ﬁve types of capitals stacked on top of each other and then arranged in a grid. This is an area for guests to explore and take photographs. Between the garden of columns and the sequenced nodes is a multi-purpose courtyard, which also contains the staircase and balcony for the bride to throw the bouquet after the wedding.

▽“柱的花园”

▽形态各异的立柱

▽室内立柱细节

主厅分别设有用于婚礼和订婚仪式的两个舞台，可容纳260名宾客。这里同样有立柱排列，构成了大厅内墙的纹理。新娘准备室和客房，餐饮设施和储藏室等功能性空间位于婚礼主舞台的后方。

The main hall, with two stages for wedding and engagement ceremonies, has a capacity to hold 260 guests. Again, columns are lined up side by side to create a textured interior wall of the hall. Functional support rooms, such as bride and guest rooms, catering facilities and storage, are located behind the main wedding stage.

▽主厅

▽舞台

▽室内细节

所有的一切都令人难忘：梦幻般的空间，如同壁画一般的色彩和纹理。通常用于庄重建筑的古典立柱的妙用，它增加了设计的仪式感和水准，而不仅仅是对古典建筑的模仿。

Altogether these are memorable, dream-like spaces, with colour and texture similar to fresco paint. The playful use of the classical column, usually reserved for buildings of importance, adds to the ceremonial quality of the design without being a pastiche of classical architecture.

▽场地俯视