神圣玫瑰礼堂综合体

公司：	Trahan Architects	类型：	建筑
地区：	美国	标签：	宗教空间

圣玫瑰综合体的设计由一个演讲厅、行政楼和宗教教育楼组成，为路易斯安那州南部的一个农村天主教教区设计，是对形式、功能、光线和材料的诚实探索，其结果是对神圣空间进行了引人入胜和深刻的研究。圣玫瑰小教堂既不奢华也不简陋，它展现了对神圣空间和精神体验的空间体现的深思熟虑。

The design of the Holy Rosary Complex—comprised of an oratory, administrative building, and religious education building—for a rural Catholic Parish in South Louisiana, is an honest exploration of form, function, light and materials that results in an engaging and profound study in sacred space. Neither opulent nor austere, Holy Rosary Chapel presents a thoughtful meditation on sacred spaces and the spatial embodiment of spiritual experience.

乡村园区的总体规划创造了强烈的地方感，并在项目的神圣和世俗部分之间进行了区分。校园的世俗部分以线性或"边缘"建筑的形式出现，一栋行政楼、两栋线性教室吧、一栋宗教教育建筑--这些建筑构成了演讲厅所在的庭院。演说厅或小教堂是原本正交构图的重点，但其本身也被倾斜，以进一步强调其重要性，并创造一种期待感。

The masterplan for the rural campus creates a strong sense of place and draws a distinction between the program’s sacred and secular components. Secular components of the campus take form as linear or “edge” buildings—an administrative block, two linear classroom bars, a religious education building—which form the courtyard in which the oratory is located. The oratory, or chapel, is the focus of the otherwise orthogonal composition, but is itself skewed to further underscore its importance and to create a sense of expectation.

建筑师使用有限的现浇混凝土、平板玻璃和打造了和谐的色调，创造了一个冥想的环境，高度重视空间特征和光线在这些质朴材料上的发挥。

Working with a limited palette of poured-in-place concrete, plate glass and cast glass, the architects created a meditative environment that places a high importance on spatial characteristics and the play of light on these humble materials.

演讲厅的设计源于子宫的概念，一个普遍的、纯净的、神圣的空间。演播室立方体侧面的六个面在大小、颜色和质感上都是相等的。其结果是一个让人感觉到包容、保护和神秘的内部空间。

Design of the oratory stems from the concept of the womb—a universal, pure and sacred space. All six sides of the oratory cube sides are equal in size, color and texture. The result is an interior space that feels encompassing, protective and mysterious.

光线通过从壁厚上雕刻的各种开口进入，而不暴露外部环境或光源。除了给居住者一种方向感，模糊的光的存在是基督逾越神秘的象征。

Light enters through a variety of openings carved from the wall thickness without revealing context or light source beyond. In addition to giving occupants a sense of orientation, the obscured presence of light is symbolic of the paschal mystery of Christ.