波兰爱乐音乐厅

公司：	Barozzi Veiga	类型：	建筑
地区：	波兰	标签：	文化空间 \| 音乐厅

项目Szczecin爱乐厅的设计是为了容纳一个交响乐厅和一个室内乐厅，是一个非常复杂的建筑，占据了与前者相同的空间。这是一个综合的设计，与周围环境共享识别元素，质量、垂直度和屋顶的形状占主导地位。

The Philharmonic Hall, designed to accommodate a symphony hall and a chamber music hall, is a very complex buildingoccupying the same space as its predecessor.This is a syntheticdesign that shares identifying elements from the surroundingcontext, and where mass, verticality and the shape of the rooflinespredominate.

▽项目鸟瞰 Aerial

这座建筑充满了表现力，集中体现在赋予屋顶和其顶层周边形状的图案中。这种力量是受某些中欧表现主义建筑影响的结果。从外面看，建筑被认为是一个没有重量的体量，其中铝和玻璃幕墙，有时是半透明的，有时是不透明的，根据其用途的不同，传递出不同的表现力。

The building is charged with expressive power, concentratedin the pattern that gives shape to the roof and its crowningperimeter. This power is the result of the influence of certainCentral European expressionist architectures. From the outside,the building is perceived as a weightless volume in which thealuminium and glass facade – sometimes translucent, sometimesopaque – transmits expressive qualities depending on its use.

▽项目外观 Exterior

建筑的整体朴素风格与主厅的奢华形成鲜明的对比，主厅被认为是一件黄金工艺作品，符合中欧音乐厅设计的古典传统。装饰性和功能性已经沿着当地传统工艺的路线执行，基于金箔涂层组件，出于声学上的原因，设计元素的程度遵循几何顺序，并随着其与舞台的距离而增加。

The apparent austerity of the ensemble stands in sharpcontrast to the expressiveness of the main hall, which is conceivedas a piece of gold craftsmanship, in line with the classicaltradition of Central European concert hall design. The décor– both ornamental and functional – has been executed alongthe lines of traditional local craftsmanship, based on a goldleafcoated component. For acoustic reasons, this element’sdegree of fragmentation follows a geometrical sequence which increases in relation to its distance from the stage.

▽纯白朴素的整体风格 White and pure simple overall style

▽金箔涂层的主厅 the conceivedas gold craftsmanship of the main hall

▽基于声学原则的观众席设计 the stage base on the acoustic

与之前的项目一样，Szczecin的设计具有一定程度的形式自主性，试图构建一个既是其环境的特定部分，同时又独立于环境的建筑。

As with previous projects, Szczecin is designed with a certain degree of formal autonomy, trying to construct a building that isa specific part of its context yet simultaneously independent of it.