山丘之下的住宅

项目的起源来自像这样的环境所发出的微妙的低语，这些低语被仔细聆听，以及来自客户寻求庇护的需求。

The idea that originated this project came from the subtle murmurs whispered by an environment like this, which were carefully listened to, and from the client’s search for protection and shelter.

▽视频

人如何才能感受到被保护？当人感到脆弱时，可以做些什么？这个问题总是伴随着一帧画面，或是一段记忆：一个受惊的孩子用一张薄床单盖住自己，他向外看，以确保他能看到周围发生的事情。用床单遮盖是一种基础的保护行为，这是一种心理暗示：即床单可以隐藏，保护，包裹并在下面创造一个如此安全和亲密的空间，以便能够远离房间周围的任何精神，幽灵或恶魔。项目在被包裹的美丽的土地周围形成了一座新的“山丘”。

How can one feel protected? and in any case, what can be done when feeling vulnerable? This question was accompanied by an image or perhaps a memory: that of a frightened child covering himself with a light bed sheet as he looks out to make sure he sees what is going on around him. Pulling a bed sheet to cover up is a very elemental act that alludes to the most basic part of the self; a bed sheet hides, protects, wraps, and creates a space underneath so safe and intimate that it is able to keep away any spirit, ghost, or demon that may be surrounding the room. At the same time, it generates a continuity in the beautiful living surface around the land, forming a new hill in a place already surrounded by many of them.

在这样的环境里，建筑应该是诗歌的重音，逗号，或是问号，但它永远不应该是诗歌本身。因为这首诗已经由松树，橡树，甜金合欢，萤火虫，道路，篱笆，邻居的水井，大地，果园和夜莺谱写完成。

The architecture should be in this case an accent on the words of the poem, a comma, or in any case a question mark, but it should never be the poem itself. The poem is already given by the pines, the oaks, the sweet acacia, the fireflies, the road, the fence, the neighbor’s water well, the earth, the orchard, and the nightingale. 

诗歌中的重音是四堵混凝土墙，出其不意地从风景中浮现出来;其中两面支撑起这座新山丘的土地，形成了仿佛抬起的“床单”一般的地形，另外两面围合成入口通道，护送客人进入房屋。

Such accents in the poem were four concrete walls that emerged surprisingly from the landscape; two of them bear the land of this new hill that was created by raising the bed sheet, and two others frame the access and escort the guests on their way into the house.

▽两面混凝土墙构成的通道

这条通道足够宽，可以一人独自舒适地行走，但又足够狭窄，无法结伴而行。游客被孤独地投入这段朝圣之旅，通往一棵老树，其存在感如此之大，以至于需要用柔和的曲线扭曲其中一面墙的弧度，以便人们可以从它旁边擦肩而过。

This path is wide enough to walk it comfortably alone but narrow enough not to be able to do it accompanied. Visitors are cast into a pilgrimage in solitude that leads to an old tree with such a significant presence that it was necessary to distort the linearity of one of the walls with a gentle curve to be able to pass next to it…so close that it is even possible to graze it. 

▽狭窄的通道使游客与老树擦肩而过

走过老树，走下几道坚固的石阶，打开一扇沉重的钢门，一个混凝土拱顶矗立在那里，支撑着上方绿色的“床单”，让人仿佛身处于一个寒冷，黑暗但舒适的洞穴之中。

After crossing the tree threshold, going down a few solid pearled stone steps, and opening a heavy steel door, a concrete vault stands there, supporting the loads of the green bed sheet that rests on it; it gives a sensation of being inside a cold, dark, but strangely cozy cave.

混凝土之所以被选为主要材料，是因为它能与森林相互作用并改变颜色，由灰色变为绿色、黑色和黄色，逐渐融入环境。地板采用木材，旨在还原被松树包裹时的香气，并平衡混凝土的冷调。最后，钢材的选用是因为随着时间的推移和降雨，它将会获得树皮一般的外观。

Concrete was chosen as the main material because of a dream of this new rock melting while inevitably interacting with the forest, changing colors… grays that turned to greens, blacks and yellows that were gradually incorporated into the environment. The flooring would emphasize the aroma of wood that is perceived when surrounded by pine trees, giving balance to the cold temperature of the concrete; and finally, the steel took place because with time and rainfall, it acquires an appearance like tree bark.

▽室内以混凝土和木材作为主要材料

▽卧室

至于空间组织，房子的左侧是完全暴露在树木繁茂的峡谷中的公共区域，右侧是略微向庭院开放的私密区域，可以看到天空和少许树梢，但相对更封闭。

As for the spatial organization, on the left side of the house are the public areas completely exposed to the wooded ravine, and on the right side the private areas open more timidly to a courtyard that allows to see the sky and the top of some trees but that closes a bit towards the outside.

▽公共区域

▽私密区域

项目的重点在于减少参考与特定时刻相关的元素，因此冰箱和电器被隐藏起来，照明布置得非常谨慎，仅使用了四种主要材料：石头，木材，混凝土和钢材。对于客户来说，保留山区粗犷和原始的氛围非常重要。

It was important to have very few references of elements that would connect to a specific moment in time, so the refrigerator and appliances were hidden, the lighting was arranged very discreetly, and only the four main materials were included: stone, wood, concrete, and steel. It was very important for the client to preserve the rough and primitive atmosphere of being in the mountains.

▽平面图

▽剖面图

Arquitectos: HW STUDIO
Website: www.hw-studio.com
Contact e-mail: hwarcstudio@gmail.com
Facebook: @hwstudioarquitectos
Instagram: @hwstudioarq
Localizacio: El vaquerito, Morelia, Michoacán. Mexico
Google maps link: https://goo.gl/maps/HibBsYDsX4iKazYL7
Completion Year: 2021
Tamaño: 250 mts 2
OTRA INFORMACION TECNICA I OTHER TECHNICAL INFO
Arquitectos: Rogelio Vallejo Bores y Oscar Didier Ascencio Castro.
Equipo: Sergio Antonio Garcia Padilla, Jesus Alejandro Lopez Hernandez, Alberto Gallegos Negrete.
Constructora: ARGA Constructora
Rainy Mood Pictures: Cesar Bejar
Photographer’s website: www.cesarbejarstudio.com
Sunny Mood Pictures: Dane Alonso
Photographer’s website: www.danealonso.com
Video: Mavix. Hugo Tirso Dominguez