The Surface 艺术装置

公司：	stpmj	类型：	景观
地区：	韩国	标签：	艺术装置

项目The Surface所处的公共空间具有重要的环境背景：远处是天池和前峰山的强烈视觉存在，近处是博物馆的壮丽景观。场地本身是一片缓坡草场，与附近的登山步道相连。沿着斜坡上下行走，可以让人体验到场地是更大的自然景观的一部分，而这种参观者与地形/地理特征之间的互动，也成为了The Surface这个项目的重要前提。

The Surface is situated in a public space with an important environmental context: the strong visual presence of the Cheonngye and Maebong Mountain is afar, and the splendid landscape of the museum is in close proximity. The site itself is a gently sloped grass field that is connected to the nearby mountain trail. Walking up and down the slope allows one to experience the site as part of the larger natural landscape, and this interaction between the visitors and the topographic/geographic features became an essential premise for the project, The Surface.

项目The Surface是一个特定地点的感性互动装置，人们可以以一种新的方式与自然联系在一起。我们想象了一个有弹性的水平表面，覆盖在倾斜的草地上。它由700个尼龙网盘组成，每个网盘都连接在灵活的杆子上。尼龙网片在不同的温度和湿度下会发生变形，使表面看起来像一个活的生物。其反应灵敏的特性使得开合状态和光影状态之间产生了有趣的对话。尼龙网片还能反映日出日落的气氛，以及周围景观的季节变化。表面在风、雨、雪、人中摇曳。穿梭其中，人们在视觉、听觉、触觉上与自然互动。

The Surface is a site-specific and sensually interactive installation where people can relate to nature in a new way. We imagined a resilient horizontal surface that covers the sloped grass field. It is comprised of 700 nylon mesh disks, each connected on top of flexible poles. The nylon meshes morph at different temperatures and humidity, allowing the surface to appear like a living creature. Its responsive property makes interesting dialogues between the states of open-close and light-shadow. The nylon meshes also reflect the atmosphere of sunrise and sunset, and seasonal changes of the surrounding landscape. The Surface sways in the wind, rain, snow, and people. Weaving through it, the people interact with nature visually, auditorily, and tactilely.

在坡面的最高处，人们可以看到一望无际的地平线，映衬着远近的风景，仿佛看到了一片水面。当人们走下斜坡时，可以潜入水面下，进入由细长而有弹性的杆子组成的领域。走在杆子之间，人们可以得到一个被半透明树冠覆盖的森林的印象。淹没在水面下的拐点，形成了从水到森林的突然过渡。除了作为一个物体，项目The Surface还成为人与自然之间的感性媒介。

At the highest elevation of the slope, people can see an endless horizon that reflects the distant and close landscapes, as if they are looking at a surface of water. When people walk down the slope, they can submerge under the surface, entering the field of thin, flexible poles. Walking between the poles, people can get an impression of a forest, covered by a translucent canopy. The inflection point of submerging under the surface creates a sudden transition from water to forest. Beyond just being an object, The Surface becomes a sensual medium between the people and nature.