Zenpukuji 住宅

公司：	Aoyagi Design	类型：	建筑 \| 室内
地区：	日本	标签：	别墅私宅

该地块位于东京郊外的住宅区，是一块约50平方米的小地块。虽然三面都被遮挡住，但地面比东面的道路高2米，给人一种独特的漂浮感，而且可以看到道路对面的学校操场。这栋房子是为一对夫妇（也是本项目的建筑师）和他们的孩子准备的。

The site is a small lot of about 50 squaremeters located in a residential district on theoutskirts of Tokyo. While the view is blockedon three sides, the ground level is 2 metershigher than the road facing the eastern side.This gives it a unique floating feel and openviews toward the schoolyard on the oppositeside of the road. The house is for a couple, who are also the architects of the project, andtheir children.

尽管有严格的限制，比如回程规则，允许建筑面积少于25平方米，我们还是得到了一个由地下两层和地上两层组成的塔形设计。光线、空气和居民的存在将通过一个楼梯和一个位于房间角落的小空间在楼层之间流动，最终形成平缓的“流动”。

Despite severe restrictions, such as setback-line regulation and havingless than 25 square meters of allowable building area, we arrived at a tower-shaped design consisting of two underground and two above-ground floors. Light, air, and the presence of the residents will travel between the floors through a circulating staircase and asmall void positioned on the corner of the rooms, which culminate in a gentle "flow".

在剖面图上看上，入口位于中间层。当我们进入这个类似裂缝的入口时，我们突然被推入悬浮的半空中。

On the cross-section, the entrance is on themiddle layer. Upon entering this crack-likeentrance, we are suddenly thrust into the"flow" and suspended in mid-air.

项目流线没有明确的开始，因为在我们的设计方法中，我们决定不给房子一个坚固的框架。相反，我们将不同的参数——功能的安排，与周围环境的关系，以及长时间设计过程中产生的差异——作为在流程中共存的元素，我们假设就像“连续低音”，换句话说，我们没有一个清晰的整体视角。这一过程造成了各种差异，在开口和楼层之间产生了不一致，在房间和住宅设备之间形成了相对规模上的不平衡，它们几乎悬浮在流动中。这种悬停的凝视也给了

The flow has no clear beginning because, in our design method, we decided not to givethe house a robust framework. Instead, we treated the different parameters—the arrangement of functions, relationship with the surrounding environment, and discrepancies caused by the long designing process—as elements that coexist inside the flow, which we assumed is like "basso continuo," In other words, we did not have a clear overall perspective. This process caused various disparities, creating inconsistencies between the openings and floor levels, and a relative scale difference imbalance between the rooms and residential equipment, which stay barely suspended in the flow. This stare of suspensional so gives our family redundancy to embrace not only the past and present but also the future with equal neutrality.