海滨美景：Carmel Taíba 酒店

公司：	Hanazaki Paisagismo	类型：	景观 \| 建筑
地区：	巴西	标签：	酒店 \| 滨水空间

位于Praia da Taíba，在塞阿拉北部，项目Carmel酒店有大约12,000m²的户外面积。巨大的绿色规模使景观建筑符合不同的休闲、散步和沉思空间：游泳池、凉亭、水镜、露台、篝火、凉棚、小径和花园区域。

Located in Praia da Taíba, in the north of Ceará, this accommodation from the Carmel hotel chains has about 12,000m² in outdoor areas. This vast scale available for the green allowed an architecture of the landscape conformed by varied spaces of leisure, walk and contemplation: swimming pool, gazebo, mirrors of water, decks, fire of ground, pergolas, paths and garden areas.

为了在视觉上最大限度地利用已有的自然资源，大型的公共游泳池，以有机的形状，向海景开放，其地平线与无限的边界线相统一，水从这里溢出。也正是在这个角度，你可以追寻日出和日落。其他大方的水体也被安排在花园中，比如接待处的水镜，由于它与建筑的走线融为一体，所以它的瀑布的曲线形状统一为一个比较规则的几何形状。而温泉周围的水镜则只用正交的方式工作，同时，踏步和漂浮的花箱让使用者沿着其表面自由流动。即使是以火为核心元素，在降低到室外壁炉的休息室里，也有一种被水包围的沉浸式体验。

To make the most of pre-existing natural resources visually, the large communal swimming pool, with organic shapes, opens to the sea view, whose horizon is unified with the line of the infinite border, through which the water overflows. It is also in this perspective that you can follow the sunrise and sunset. Other generous bodies of water are arranged in the garden, such as the reception's water mirror, which unites the curved shapes of its cascade to a more regular geometry, as it is integrated with the building's alignments. The water mirror around the spas, on the other hand, works only with orthogonality, at the same time that the treading and floating flower boxes allow freedom of flow for users along its surface. Even when it comes to fire as a central element, in the lounge lowered to the outdoor fireplace, there is an immersive experience of being surrounded by water.

中间的小径是通过间隔在草地和沙岸之间的台阶实现的，通过垂直平面的图腾和墙体之间的互动来标记连接。这些雕塑元素时而隐藏，时而显露，使游览成为一种通过新空间逐步发现的体验。它们的另一个特点是并列的材料对比：火山石覆盖层和来自该地区的石头的混合物，有抛光和粗糙的纹理，几何图案或更多的自然插入和许多细微差别的自然色调，从最温暖到最黑暗的矿物色调都有。

The path from one environment to the other takes place with steps spaced between grass and sand banks, and is marked by the interaction between vertical planes of totems and walls, to which water spouts are attached. These sculptural elements, which sometimes hide, sometimes reveal, make the tour an experience of gradual discovery through new spaces. They are also characterized by the contrast of juxtaposed materialities: a mixture of volcanic stone coverings and stones from the region, in both polished and rough textures, with geometric paginations or more natural inserts and a palette of many nuances, from the warmest to the darkest mineral tones .

阴影上也融入了这种美学构成：多棵棕榈树的投影--包括现有的椰子树和棕榈树，以及在景观设计中提出的独生棕榈树、优雅棕榈树、拉菲亚树、皮南加树和枣树的组合--以及凉棚的板条元素构成了一组关于水和材料的图画、反射和透视。在一些区域的水镜上，有漂浮的水生植物。在一组七十多种植物中，植物的选择全部是热带植物，并提供了丰富的植物学体验：无论是花叶草和亚当肋骨的叶子的繁茂，还是蝴蝶兰、阿拉曼达和螺旋藻等不同品种的花色。

The work with the shadows also integrates this aesthetic composition: the projections of the multiple palm trees - both the existing coconut and carnauba trees, as well as the compositions of solitary palms, elegant palms, raffias, pinangas and date palms proposed in the landscaping - and the slatted elements of the pergola make up a set of drawings, reflections and transparencies on water and materials. On some areas of the water mirrors, there are floating aquatic plants. In a group of more than seventy species, the plant choices are tropical in their entirety, and provide an experience of botanical richness: be it in the exuberance of the foliage of philodendrons and Adam's ribs, or in the floral color of the different species of iris, alamandas and heliconias.