杭州朱家埠郊野公园

公司：	印文设计	类型：	建筑
地区：	中国	标签：	民宿客栈

作为设计师

在项目中做到“自然而然、不争不抢”

是最难达到的一种境界。

只有森林的边缘会模糊城市与自然的界限

离开城市

这有远方

——陈印文

17度的江水，17度的气候，17度成为了建德新安江的重要标志，它因新安江水电站调节而来，造就了独特的“白沙奇雾”。

The constant 17°C – of its waters, of its climate – has become the hallmark of Jiande's Xin'an River. Regulated by the Xin'anjiang Hydroelectric Dam, this unique temperature gives rise to the ethereal "Bai Sha Mist", a marvel dancing upon the water.

在位于浙西深林中的朱家埠林场内，留存着这样一片景象：

零星散落的老厂房建筑，随处可见的杉林苗圃以及贯穿林场的涓涓溪流。树对于设计来说，他们不仅仅是设计的参与条件，更是一个可以给人们带来深刻感触的载体。我们希望这里成为森林与博展的有机结合场所。打造以自然野趣为本的、独具东方风韵的、有艺术感、前瞻性森林公园。

Within the Zhujiabu Forest Farm, nestled deep in the forests of western Zhejiang, lies this preserved scene:

Scattered old factory buildings, ubiquitous fir tree nurseries, and babbling brooks winding through the forest. For design, trees are not merely elements to incorporate; they are carriers capable of evoking profound resonance. We envision this place becoming a seamless blend of forest and exhibition space. Our goal is to create a forest park that is:

▼场地分析，Site Analysis 出于自然，终于自然

▼建筑设计推演，Architectural Design Evolution 围合为章，聚气承脉

“17”暗合建德城市口号“17°新安江”，围合式布局构建“天人共守”的伦理秩序，17以《周易》“其数七，主变”为基，1为阳（天），7为阴（地），暗喻“天地人和”的生态治理观。

The number "17" subtly echoes Jiande's city slogan "17° Xin'an River." The enclosed layout embodies an ethical order of "Heaven-Human Coexistence." Rooted in the Book of Changes principle that "the number seven governs transformation," 17 symbolizes:1 (Yang/Celestial) + 7 (Yin/Terrestrial) = A Holistic Ecological Philosophy where Heaven, Earth, and Humanity unite in harmony.

▼院内架空层空间，Pilotis-Level Space 为森林让路，为光影留隙

把劣势变为优势，弱化弊端，建筑整体的布局，南侧有路，建筑贴近道路，这样既减少噪音，也同时作为动的功能区块，通过，组合穿插，重构，得到一个符合地形学和环境学的一个体块，底层局部架空，将空间“归还”自然，邀森林共坐。这是建筑对森林的礼敬。

Transforming constraints into virtues, the design strategically positions the building close to the southern road. This proximity attenuates traffic noise while establishing a dynamic functional zone. Through interweaving, reconfiguration, and response to geomorphology, the massing emerges in dialogue with its environment. Partially elevated on pilotis, the structure cedes ground space back to nature – an invitation for the forest to dwell within. This is architecture's homage to the woodland.

▼入口视角，Entrance Perspective 重檐赋·双盖承天

▼内院视角，Inner Courtyard Vista 围合式静谧空间中的框景视觉

▼连廊空间，Covered Viewing Linkage 架高通廊编排自然邂逅——雾霭穿行结构缝隙，步履穿行建筑

屋顶弱化其形，取其神。如书法中“意在笔先”的飞白，以笔触的韵律构筑空间，让每一次拾级而上，都暗合心流的起伏。同时也是在造一处“上房揭瓦”的露天展厅在自然中参观自然。

The roof's form dissolves into essence,like feibai ink-brushed strokes in calligraphy –where negative space breathes rhythm into structure.Each ascent up the terraces echoes the ebb and flow of cognition,while creating a playful roofscape gallery:An immersive sky venue，for experiencing nature within nature.

▼内院屋顶，Contemplative Skyplane 上行下化，不过天地一捺

可步入的第五立面，枫影舞雾的书法性平面，框取让宾客重归森林律动的天穹展场。

An accessible Fifth Facade –where dappled maples waltz through mist，across a calligraphic plane,framing an immersive sky gallery，that reunites guests with the forest's，syncopated rhythms.

▼内院屋顶，Contemplative Skyplane 虚实相生·彰显东方气韵

屋面缝隙编排流雾枫林尽显舞姿，整合种植使屋面蜕变为树冠层森林延展带。

Slit openings direct an aerial balletwhere mist weaves through maple groves –unveiling choreographic revelations.Integrated plantings trigger metamorphosis:the roof transforms into a canopy-level forest continuum.

书法风格的栏杆体现了独特的东方哲学原则--笔画间的空白成为眺望月空的门户，而墨色的轮则与宇宙的节奏相呼应。

Calligraphic balustrades embody distinct Eastern philosophical principles –where voids between strokes become moon-gazing portals,and ink-toned contours resonate with cosmic rhythms.

▼入口视角，Entrance Perspective 隐岫启·无门之门

所谓入口，原是天地推门而入的刹那，但设计上作为完全开敞式的，摒弃传统的大门形象，做到径未径，门非门，界无界，做到低头方见地脉上升，抬头忽遇天心下倾。

The so-called entrance, originally the moment when heaven and earth push the door open to enter. Yet in design, it is made completely open, abandoning the image of a traditional gate. It achieves a state where the path is not a path, the door is not a door, and boundaries are without boundaries. Bow your head, and you shall see the earth's veins rising; raise your eyes, and suddenly encounter the heart of heaven inclining downward.

▼入口景墙，Entrance feature wall

当我们第二次踏上这片土地的时候遇到了她——一颗银杏树，一颗巨大的、鲜明的、在这片场地中独树一帜的、摇曳生姿的银杏树，当时便暗下决心让她能在本次设计中大放光彩。也是她给到了我们更多对于森林的美的理解，如何围绕森林讲述设计的故事？我们离答案也越来越近了 ...

It was during our second visit to this land that we encountered her—a ginkgo tree, a massive, striking one that stands out uniquely in this site, swaying gracefully. At that moment, we made a silent resolution to let her shine brilliantly in this design. It was also she who gave us a deeper understanding of the beauty of the forest. How can we tell the story of the design centered around the forest? We are getting closer and closer to the answer...

▼架空层树穿屋顶，The tree in the stilt floor pierces the roof