极简孤寂：Guayacan 树种保护基地设计

公司：	Ambrosi Etchegaray	类型：	景观 \| 建筑
地区：	墨西哥	标签：	公共设施

当你晚上触摸一棵树，它会告诉你什么？现在，将您的耳朵放在行李箱上，你听到了什么？在雨季的早晨，接下来的几个月，干旱的季节再次进行，有什么不同吗？一切都改变了吗？我们都应该在热与冷之间、在水与渴之间、在存在与虚无之间、在生与死之间过渡吗？

Touch a tree at night. What does it tell you? Now place you ear upon the trunk. What do you hear? Do it again in the morning, during the rainy season, in the following months, during the season of drought. What is different? Is it not obvious that everything is change? That we should all transition between heat and cold, between water and thirst, between presence and void, between life and death?

©Jaime Navarro

从这些冲突出发，项目诞生了。该作品是对物质和空间本身的一种表达，由AMBROSI ETCHEGARAY事务所开发的建筑构思了一个亭子，在跨越空间和时间的过渡中，得益于它的退化或与景观、自然、万物起源的融合。在极少使用材料的情况下，它最大限度地表达了对“愈创木(Guaiacum Sanctum L. Zygophyllaceae)”的表达和培育，俗称“愈创木”(Guayacan)，这是一种特有的树，被列入SEMARNAT濒危物种名录。

From these beginnings and resistances, the wabi-sabi architecture of the Guayacan Pavilion was born. The work is an expression of materiality and space itself, where the architecture, developed by the office of AMBROSI ETCHEGARAY, conceived a pavilion that in its transition across space and time benefits from its deterioration or its assimilation into the landscape, into nature, the origin of all things. With a minimal use of materials it finds its maximum expression for presenting and nurturing the “Guaiacum Sanctum L. Zygophyllaceae”, colloquially known as Guayacan, an endemic tree included in the SEMARNAT list of endangered species.

©Jaime Navarro

为了保护该物种，Casa Wabi在环境管理部门（UMA）的支持下决定建立一个培育基地，以保护和繁殖此书中。从一开始，建筑师只是自然提供的一种表达方式的项目，因此他们构思了一个新的空间，该访客进入地下层的最终路径，从而允许为了感知温度、大气湿度、空气流动以及物种与地下水之间的关系与树木之间的相互作用更紧密。

With the purpose of protecting the species, Casa Wabi, with support from theEnvironmental Management Unit (UMA), decided to create a nursery for the care and reproduction of the Guayacan. A project that, from its inception, the authors understood the architect would only be a medium for the expressions that nature offered, so they conceived of a new pavilion that invites the users and visitors to descend into the resulting paths beneath ground level that allowed for a closer interaction to the trees in order to perceive the temperature, the humidity of the atmosphere, the flow of air, and the relationship between the species and the groundwater.

©Jaime Navarro

走进场地，是一个打开的空间，可作为入口空间，同时为工人和访客提供了一个休息的地方，阳光，水和空气变得明显，并邀请我们观察濒危树在一个表达深度、情感、智慧和神秘主义的环境中熟悉或重新认识它。人们继续走过树苗，这些树苗是一系列工作台的形式，这些工作台的形式是挖掘的遗迹。通过这种级别的改变，道德操守寻求环境保护并尊重在此工作的人们，负责植物的人员在清洁和护理工作台上的新树时会显着减少体力消耗。避免弯腰在地面上工作。

Through an imperfect beauty and elegance in austerity, the pavilionopens with a large shade that functions as the entrance threshold while simultaneously generating a resting place for the workers and visitors where the sun, water, and air become apparent and invite us to observe the Guayacan close up, to acquaint or reacquaint ourselves with it in a setting that expresses depth, emotion, intelligence, and mysticism. One continues to walk through the seedlings that ensue upon a sequence of work tables whose form are the remains of the excavation. Through this change in level, where the ethic seeks to care for the environment as well as to respect those who work there, the personnel in charge of the plants significantly reduce physical exertion as they clean and care for the new trees upon the work tables and avoiding bending over to work on the ground.

©Jaime Navarro

项目无疑是当代建筑的作品，致力于美学，环境，时间的流逝和对我们土地的照顾。

The Guayacan Pavilion is undoubtedly a work of contemporary architecture that is committed to an aesthetic, the surroundings, the passage of time and the care for our land.