Taking Garden for Lingering as the basis, Yongan Jianfa•Xiyuan Project Qinghui Garden in the Demonstration Area follows the principle of traditional gardening to interpret people's literati sensibility of "taking the seclusion as noble thoughts and being proud of visiting landscape". Based on the concept of "thinking Yancheng beyond the noisy world while staying between mountains and rivers", pursue Jiangnan landscape garden following the spirit of "living in the earthly world with other-worldly ideals" of the ancient refined scholars.
The whole spatial layout adopts the design method of one axis and three entrances featured with the symmetrical axis at the entrance, neat sequence, numbered gate tower, inner house and outer yard. Create magnificent palaces of prominent officials and eminent personages while interpreting the oriental progressive aesthetics, thus showing high social status and good education.
First entrance - "Emperor Yard"
The whole demonstration area adopts the ceremony system of Wang House and entrance ceremony of these three entrances, saying that the returning home-coming ceremony between mountains and rivers. These three entrances include: first entrance - Emperor Yard; second entrance - "Four-direction Water Flowing the Hall"; third entrance - Happy Garden. Each entrance creates the different artistic conception and atmosphere, first entrance - magnificent palace, mighty and powerful; second entrance - four-direction water flowing the hall, dominant and controllable; third entrance - learning from nature, displaying the connotation between mountains and rivers. Create the garden featured with Chinese characteristics: emotionally, it should conform to the traditional Chinese cultural ceremony system; functionally, it should abide by the living habit characteristics of modern people; spatially (sequence etiquette), Emperor Yard and Four-direction Water Flowing the Hall belong to Chinese landscape with Tang style, and Happy Garden serves as an archaistic Chinese natural landscape courtyard. The representative made by Happy Garden is the enframed scenery as for scenic spots - Qingshan Drawing of Xishan, a scroll of landscape painting.
Second entrance - "Four-direction Water Flowing the Hall"
"Four-direction Water Flowing the Hall" is a unique plane layout of Jiangnan dwellings in Anhui Province, whose architectural style is derived from the natural science of Huizhou culture of "man is an integral part of nature". Built on the basis of traditional basic unit of "room", individual buildings of "Four-direction Water Flowing the Hall" are connected by corridors, thus forming a closed courtyard with the courtyard wall. Since rain on the inside slope of the roof flows into the courtyard from four directions, it was called "Every Miller Draws Water to His Own Mill."
三进涵碧园第一个景点为展示区的核心景点框景造画——溪山清远图，景点名取自南宋四大家夏圭的传世佳作《溪山清远图》。以留园为蓝本，将传统造园原则：“1.构架山水 2.模拟仙境 3.移天缩地 4.诗情画意”融入其中。
Third entrance - "Happy Garden"
The first sight after entering Happy Garden is the enframed scenery of core scenic spot in the demonstration area - Qingshan Drawing of Xishan, and such a name was taken from the masterpiece of Xia Gui, one of the four master painters in the Southern Song Dynasty. Taking Garden for Lingering as the basis, it follows the principle of traditional gardening to interpret the people's literati sensibility of "taking the seclusion as noble thoughts and being proud of visiting landscape". Gardening principle: 1. Landscape-based structure 2. Simulated wonderland 3. Miniaturization 4. Poetic illusion and integration Shrub Fragrance Corridor can be seen in the Osmanthus Fragrance Pavilion at Garden for Lingering. In the history of architecture, the corridor, always being the exclusive symbol of royal families and nobilities, is an important place for the ancient royal family to relax.
Since the winding corridor leans against and separates from the wall, various small
courtyards are therefore developed between the corridor and the wall in a roundabout way. Or plant flowers and place stones in the middle, or grow small plants in the corridor.
Yihong Bridge is carved with stones and arched like rainbows on the earth. Its weeping willows on both sides representing best wishes of flourish and "always being the spring" and water reflection form the full moon, which symbolizes happiness and reunion. There are peonies on the bridge, meaning longevity and wealth. Looking into the distance at the highest point in the bridge, enjoy viewing the breeze pool. The waterfall flows past the breeze pool, and Taihu Stone is arranged around the pool posed with unnumbered mountain shadows and peaks.
整个空间布局采取一轴三进院的设计手法，以三进院落，言说山水间的归家礼序。一进院高门阔府 万千威仪；二进四水归堂 棋定天下；三进院师法江南 山水意蕴。打造中式园林特点：在情感上符合传统中国文化礼制，在功能上遵循现代人的生活习惯特征，在空间序列礼仪上，乾元庭与四水归堂为华文唐风中式景观，涵碧园为仿古中式自然山水院落空间。
"Long Things" said that the people living in the mountains and waters are on. Looking for mountains and asking for water is like the pursuit and ideal of the literati. In the glitz of the city, the secret is still a luxury talk, why is it the landscape?
Therefore, Yongan Jianfa feels that the Huihui Garden in the exhibition area of the brothel begins with the concept of “between the mountains and rivers, and sentiment to the outside world”. Taking the Lingering Garden as the blueprint and using the principle of traditional gardening to interpret the literati feelings of "the people who are high in seclusion and proud of the mountains and rivers". Step by step to shape the Jiangnan landscape garden of the ancient literati.
The layout of the whole space adopts the design method of one axis and three entrances to the courtyard, and the story of returning homes between the mountains and rivers. As soon as he entered the hospital, he was admitted to the courtyard, and he was in the middle of the house. The characteristics of creating Chinese gardens: emotionally conforming to the traditional Chinese cultural rituals, and following the characteristics of modern people's living habits in function. In the spatial sequence etiquette, Qi Yuanting and Sishui Guitang are Chinese style Tang style Chinese landscape, Hanbi Garden It is a space for antique Chinese natural landscape gardens.
In the design process, we should constantly study the ancient traditional culture, and make clear the study of the structure and layout of the ancient members such as the door pavilion, the use of plants and patterns, and the taboos, and then carry out the shaping and interpretation of the traditional cultural space. The traditional space and situation created by this can truly reproduce the oriental aesthetic life scene.
Design time: 2016
Project area: 37,000m2
Project address: Yongan, Fujian
Project commission: C&D