曲线至上：Lagares 教堂

公司：	FCC Arquitectura	类型：	建筑
地区：	葡萄牙	标签：	宗教空间 \| 教堂

在我们看来，设计一座教堂似乎是寻找象征、神秘和富有表现力的一个理想的项目。正如历史告诉我们的那样，艺术和宗教之间的融合为人类提供了独特的、神奇的和令人振奋的时刻，丰富了生活、思想和灵魂。

Designing a church seems to us to be an ideal instrument in searchingfor a symbolic, mystical and expressive dimension. As History has taught us, the alliance between art and religion offers mankind unique, magical and exalting moments that enrich life, mind and soul.

教堂作为神的殿堂，在人类历史的发展中起着非常重要的作用。对于信徒和非信徒来说，它是一个活的符号，传达出一种超然的意义，使我们超越我们所看到的世界，使人在更深层次上感受生活。

The church, as a material construction and human representation of the Divine, plays a very important role in the development of sensibility. For believers and lay people, it is a living sign that conveys a transcendent meaning that makes us look beyond what we see, and take time to feel our lives at a deeper level.

项目组第一次实地考察就有了设计的构思，我们将原有的建筑设计语言抛弃，去使用那些看起来重要、有表现力且符合我们意图的符号线条，因此曲线从一开始就作为我们的首选，用来设计这个教堂。

The first impressions and ideas emerged in the first visit to the field. The traits and forms were cleared, supported by symbols that seemed important, expressive and appropriate to our intentions. The curved line was imposed from the beginning, as a gesture and as a form associated with reception and protection.

鱼：这是天主教的图腾，是救世主耶稣基督的象征。

The shape of the fish, such a strong image for the Catholic religion and symbol of Jesus Christ the Savior.

水滴，水：净化和祝福的象征，它与基督教生活中的启蒙仪式(洗礼)有关。

The drop, the water. Symbol of purification and blessing, it is associated with the ritual of initiation in the Christian life (baptism).

轴心植物的传统描画，是经典基督教教堂特有形状。弯曲的部分像是教堂的“头”，象征着我们的身体。

The conventional tracing, scheme of the axial plant so characteristic of classic Christian churches. The curved shape like the head of the church that is your body.

教堂坐落在与地形接壤的陡峭街道上的平台上。

The streets that border the terrain have steep slopes. The church sits on an intermediate platform.

两面弯曲的墙，几乎完全脱离地面，是引导人们走进教堂的主要入口。这些墙的布局是由建筑物内部空间流线决定的：人们将经过洗礼，帐幕和祭坛，从而形成空间上的引导。

Two curving walls, almost completely loose from the ground, direct people to the main entrance of the church. The layout of these walls was conditioned by key landmarks inside the building: they will pass over the baptistery, the tabernacle, and the altar, thus forming the directives of space.