亚伯拉罕之家宗教建筑群

公司：	Adjaye Associates	类型：	建筑
地区：	阿拉伯联合酋长国	标签：	教堂 \| 寺庙 \| 宗教空间

亚伯拉罕之家宗教建筑群位于阿拉伯联合酋长国 (UAE) 首都阿布扎比的萨迪亚特文化区，是一个新的学习、交流的信仰实践中心。该建筑包括三个独立的礼拜堂——一座清真寺、一座教堂和一座犹太教堂，以及用于聚会和对话的共享空间，在亚伯拉罕家庭之家，游客被邀请参加宗教服务、导游参观、并有机会探索信仰。每个专门的礼拜堂，艾哈迈德·埃尔·塔伊布清真寺，弗朗西斯教皇教堂，摩西·本·迈蒙犹太教堂，都有供观察员使用的空间，每日导游将向游客展示与与每个信仰的实践和传统相关的设计特征。

The Abrahamic Family House is a new centre for learning, dialogue and the practice of faith located in the Saadiyat Cultural District in Abu Dhabi, capital of the United Arab Emirates (UAE). Encompassing three separate houses of worship – a mosque, a church, and a synagogue – as well as shared spaces for gathering and dialogue, At the Abrahamic Family House visitors are invited to participate in religious services, guided tours, celebrations, and opportunities to explore faith. Each of the dedicated houses of worship, the Eminence Ahmed El-Tayeb Mosque, His Holiness Francis Church, and Moses Ben Maimon Synagogue, has space for observers, and daily guided tours will show visitors features of the design pertinent to the practices and traditions of each faith.

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伊玛目塔耶布清真寺（Imam Al-Tayeb Mosque）面向麦加。光线透过 mashrabiya 立面的精致 GRP 格子，这样的设计在保持隐私的同时使空气流通。四个无缝的整体柱子代表了伊斯兰教的稳定、秩序和丰满的概念，并创造了一个拱形空间，将游客引向米哈拉布。唯一完全不透明的墙壁为简单的石头圣龛腾出空间，它沐浴在屏幕发出的图案光中。

The Imam Al-Tayeb Mosque is oriented towards Mecca. Light filters through the delicate GRP latticework of the mashrabiya screens, which circulate air while maintaining privacy. Four seamless, monolithic columns represent the Islamic notions of stability, order, and fullness and create a vaulting space that orients the visitors towards the mihrab. The only fully opaque wall billows to make room for the simplistic stone mihrab, which is bathed in the patterned light from the screens.

靠着庭院的两个角落是进行洗礼的空间，隐藏在青铜大门后方，这些大门正式呼应了七个拱门，这些拱门打破了每个立面的结构形式，在元素和隐私之间进行调解，方形内的倒圆顶和金字塔天花板分别代表女性和男性的洗礼。

Along two corners of the courtyard are spaces for ablution, screened by bronze gates that formally echo the seven arches that break up each façade of the exterior form. Mediating between the elements and privacy, an inverted dome and pyramid ceiling within a square form signifies the female and male ablution.

圣弗朗西斯教堂（His Holiness Francis Church）面向东方冉冉升起的太阳，入口处密布着大量立柱，光线从中间穿过时构成美妙的光影穿插感。在庭院处，两根参差不齐的柱子悬挂在入口上方，象征着对信仰的考验。一个温暖的木制入口将引导您进入会众空间，在这里，Adjaye Associates事务所设计了面向圣坛的橡木长凳。受圣彼得大教堂圣坛的启发，一个由线性元素组成的造型从天花板上倾泻而下，形成“狂喜的救赎之雨”。大理石祭坛、读经台和神龛，以及一张橡木书柜桌子和三把椅子放在十字架下的圣地上，这是一种没有种族或信仰迹象的拟人形态。

The His Holiness Francis Church is oriented towards the rising sun in the East, along with a forest of columns that composes the form to allow light to enter from the exterior. From the courtyard, two uneven columns suspend above the entrance symbolizing the testing of faith. A warm wooden portal guides you into the congregation space where Adjaye Associates designed oak pews face towards the altar. Inspired by the altar of St Peter’s Basilica, a canopy of linear imber elements cascades down from the ceiling in a “shower of ecstatic redemption.” Marble altar, ambo, and tabernacle, as well as an oak credence table and three chairs sit on the sanctuary below the crucifix—a humanoid form with no indication of race or creed.

洗礼池位于教堂旁边，呈圆锥形，墙壁上方散落的小窗户为内部提供光线。内部墙壁造型呈八边形，洗礼池在空间的中心，以粗糙的大理石作为装饰。

A baptistry is located beside the church, denoted by a conical form that emerges above the courtyard walls with scattered small windows of light emitting for the interior. Inside, an octagonal room houses a baptismal font, which emerges from the ground in a rough-cut marble form.

摩西本迈蒙（Moses Ben Maimon Synagogue）犹太会堂面向耶路撒冷。一系列的V形柱子组合在一起，在室内和室外之间形成了一个屏障，这个造型灵感来自于犹太人住棚节期间使用的住棚节上重叠的棕榈叶层。一个象征着原始帐篷的青铜网状会幕从天花板的天窗上倾泻而下，笼罩在会众上方。一堵石墙包围着基座，方舟坐落在基座上，与Adjaye Associates事务所设计的以V形图案为特色的橡木座椅一起，面朝诵经台。

The Moses Ben Maimon Synagogue is oriented towards Jerusalem. A series of three V-shaped columns amass to create a screen between the interior and exterior, referencing the overlapping layers of palm fronds on the sukkah—a structure used during Sukkot, the Jewish festival of shelter. A bronze mesh tent—symbolizing the original tabernacle—cascades from a skylight in the ceiling and drapes over the congregation. A stone wall envelopes the base, from which the ark emerges and, along with Adjaye Associates designed oak seating featuring the V-shaped motif, face towards the bimah.

浸礼池位于入口附近，由石灰石墙组成。天窗穿过有纹理的整体式天花板，让来自上方的光线进入浸礼池的私密空间。

The mikveh is located adjacent to the entrance and composed of limestone walls. A skylight punctures through a textured, monolithic ceiling, allowing light from above to enter the intimate space of the mikveh.

第四个空间与任何特定的宗教无关，它将作为一个论坛，让所有人在空间上聚集在一起，通过庭院、中央入口、图书馆和展览空间，并通过社区教育和基于活动的规划进行人际交往。通过进入每个房间的庭院，它是一个会聚的地方，而不是分歧的地方。凸起的花园本身就是一个目的地，它创造了一个观景平台，可以容纳三种宗教结构，促进和谐和相互联系的感觉，同时维护他们的个人主义。花园以椰枣树为框架，作为入口，以区域植被和水景为点缀，成为一个气候温和的集体休息空间。

The fourth space—not affiliated with any specific religion—will serve as a Forum for all people to come together with the collective ambition to convene spatially, through courtyards, a central entrance, a library, and exhibition space, and interpersonally, through community educational and event-based programming. With access to each chamber’s courtyard, it is a place of convergence, rather than divergence. A destination in itself, the raised garden creates a viewing platform to take in all three religious structures, promoting a sense of harmony and interconnectivity whilst asserting their individualism. Framed by date palms to symbolize entrances and punctuated by planters with regional vegetation and water features for cooling, the garden becomes a climate moderated space of collective respite.