Açucena之家

公司：	TETRO Architecture	Type：	建筑
Area：	印度	Label：	别墅私宅

一个沉浸在郁郁葱葱的大西洋雨林自然中的地方。茂密的树木、树叶、灌木、鸟类和野生动物遍布的地形。具有陡峭斜坡的挑战性地形，是米纳斯吉拉斯州新利马地区的特征。这里是Casa aparucena的所在地。

A place immersed in lush Atlantic Rainforest nature. A terrain filled with large leafy trees, foliage, shrubs, birds and wild animals. A challenging topography with a steep slope, characteristic of the Nova Lima region in Minas Gerais. This is the place where Casa Açucena is inserted.

该项目是对该地区解读的回应。在第一次接触这个地形时，很明显需要保持自然特征。从地面向上看，直到高出地面15米的树冠，这一行为对这一概念的产生起到了决定性的作用。如何在地形如此陡峭的地方建造，同时保持原始的自然？如何让居民每天都能透过树梢仰望天空。这些都是指导所有设计决策的问题。

The project is a response to a sensitive reading of the place. In a first contact with this terrain, it is already evident the need to maintain the natural characteristics. The act of looking upwards, from the ground to the canopy of trees, elevated up to fifteen meters above ground level, was decisive for the creation of the concept. How to build in a place with such a steep topography, while maintaining the original nature? How to give the residents the daily experience of looking up and seeing the sky through the treetops. These were the questions that guided all design decisions.

最初的理解是建筑应该与地形相适应，而不是相反，这是一个起点。建筑高出地面之上，动植物在下方生长。该项目通过占据树木之间的空白空间来打造，将树木保留在原场地。使艺术与自然和谐共存。从这一点上看，建筑师的品味或意愿并没有做出任何选择或设计决定。一切都是一种回应，旨在强化一个概念。

The initial understanding that architecture should mold to the terrain, and not the other way around, was the starting point. The house rises above the ground and the animal and plant life develops underneath. The program shapes itself by occupying the empty spaces between the trees. No trees are removed. The topography is not changed. Art and Nature in perfect harmony. From this point on, no choice or design decision was made by taste or will of the architect. Everything is a response and is intended to reinforce a concept.

这座白色的房子给那些到达此处的人带来了惊喜。支撑建筑的黑色柱子与树干融为一体，使这栋建筑看起来像在漂浮。由于该项目建立在树木之间，建筑的开合空间，在树木之间形成了不同的体块。建筑被周围茂密的绿植围绕，但保持其存在感。aprucena住宅在大自然中呈现出一朵白色的花，惊喜和新奇是艺术固有的价值。

The house, in its white color, is a surprise to those who arrive. Its randomly placed black pillars blend in with the trunks. The house seems to float. Its fluid plan, a result of the program's occupation among the trees, and its openings and folds in the slab, to reach the view of the treetops, generate the volumetry. The architecture is harmoniously inserted next to the natural vegetation, but maintains its presence. Surprise and novelty are values inherent to art. Casa Açucena presents itself as a white flower in the midst of nature.