天府中医药博物馆设计

公司：	MUDA慕达建筑	类型：	建筑 \| 景观 \| 室内
地区：	中国	标签：	博物馆

“万物负阴而抱阳，冲气以为和” —— 《道德经》

▽ 视频 Video

‖ 项目背景 Project Background ‖

2020年3月，由卢昀带领的MUDA慕达建筑事务所为成都彭州市设计打造天府中医药博物馆。彭州是成都北向交通门户枢纽，具有丰富的动植物药材资源。作为全国最大的川芎产业标准化示范基地，彭州聚集了近90家医药健康企业。为积极响应国家中医药振兴发展战略，2019年以四川彭州工业园区为基础规划建设，正式设立天府中药城。

As the northwest traffic hub of Chengdu, Pengzhou municipal administration has been developing its Traditional Chinese Medicine(TCM) themed City since 2019. A diversified plantation of herbs and and its status as the largest ligusticum striatum industry standardization production demonstration base have drawn more than 90 pharmaceutical companies to Pengzhou's TCM City. In March 2020, MUDA-Architects was commissioned to design the Tianfu museum of Chinese medicine.

▽ 鸟瞰中医药博物馆与周边景观

天府中医药博物馆位于彭州天府中药城起步区内，规划建设用地面积约1.3万平方米。场地东侧为汇通湖，西侧紧临三环路，交通便利。博物馆建成后将成为天府中药城的标志性建筑，为诠释中医药文化、展示当地医药生态价值、传播中医药知识起到积极作用，同时回应公园城市的宏观理念。

The 13,000 square meter TCM museum, which is in the heart of TCM City, is close to Huitong Lake to the east and the third ring road to the west. Taking advantage of the location, the TCM Museum aims to construct a spiritual emblem for the region, create a synthesis of culture and ecology, reinvigorate and disseminate traditional Chinese medicine knowledge, and respond to the Park City development in a broader context.

▽ 建筑与景观、水域的结合

‖ 设计理念 Design Concept ‖

中国传统中医历史悠久，具有完整的理论体系，强调“天人合一”、“天人相应”的整体观及辨证论治，认为自然由阴阳两大类物质构成，阴阳二气既相互对立而又相互依存，并时刻都在有规律的运动与变化之中。

古人对这一哲学思想，用太极图作了极致的概括。太极图形象地表达了阴阳轮转、相辅相成是万物生成变化的根源，也展现了一种互相转化、相对统一的形式之美、和谐之美。

TCM has undergone a long course of development, it encompasses a complete system of theories. . The Chinese philosophy of Taoism, which claims that everything in the cosmos is interdependent and mutually interactive, served as the initial foundation for and influenced on the holistic diagnosis and treatment system of TCM. The world is a harmonious and holistic entity, no single form of being could exist unless it was seen in its surrounding environment. TCM stresses the harmony and correspondence between humans and nature, believing that humanity is a component of the entire nature which is constituted by ‘Yin’ and ‘Yang’ in dualism.

Our ancestors thought of Yin and Yang as being perpetually complementing and interdependent in a dynamic situation, and they used the Taiji diagram to depict such a viewpoint. We want to design the TCM museum with an aesthetic that incorporate opposing forces in harmony and balance.

▽ 概念图 Concept

▽ 虚实相生的建筑与景观

MUDA慕达建筑从中医哲学中汲取灵感，从“整体与辩证”的思想出发，引阴与阳为概念，生成空间的虚与实。以虚实相生的手法，旨在将人、建筑、城市与自然融合，展现中国传统文化中医的理念和底蕴，体现万物归一的自然观。

Inspired by the philosophy of traditional Chinese medicine, MUDA-Architects adopts the holistic worldview as foundation, and impregnated the concept of Yin-Yang theory to bring forth the design into a void-solid combination of spaces generated by the conceived architecture and landscape. The scheme captures the essence of traditional Chinese medicine and harmoniously incorporates its underlying, antiquated philosophy into the design of architecture, the landscape, and nature from a large-scale perspective, as well as material design, interior spaces, and people from a micro level.

▽ 建筑，城市，与自然的融合

▽ 圆形步道使整个建筑体充满动势

‖ 建筑-虚实统一 Architecture & Yin-Yang ‖

俯瞰整个中医药博物馆，圆形建筑主体与场地水域景观结合，形如太极。建筑为实，景观为虚；陆地为阳，水域为阴，阴阳虚实被圆形环道紧密串联并围合其中。流动的水与行走的人，为静态的建筑增添动势与生机，动静结合，天人合一。天，地，人, 在此相辅相融，诠释了MUDA慕达建筑对自然万物和谐统一的理解。

The circular walkway encloses the museum's main structure and the surrounding waterscape, which when combined form the shape of Taiji. The substantial structures with the vacuous landscape, and the positive earth with the negative water, are ways that the principle of Yin and Yang is expressed. Walking people and flowing water bring the still architecture energy and propulsion, fusing motion and stillness to bring together people and the environment. The TCM museum is the portrayal of MUDA's understanding of the harmony and unification of all beings.

▽ 融入周边环境

博物馆主入口位于场地西侧，入口景观广场将城市主干道与建筑有效连接。入口西立面主要采用穿孔铝板，阻挡西晒以减少能源消耗，建筑立面曲线也丰富城市界面。东立面朝向湖区景观，采用高透双曲面玻璃幕墙，最大化地将自然景观引入室内，打破建筑与自然的边界。

The museum's main entrance is situated on the west façade, and a landscaped plaza connects it to the major city street. Curved perforated aluminum panels are mostly used on the entrance's west façade to enhance the urban cityscape and to shield the west sun to lower energy consumption. The east façade of the building, which faces the lake, has a double-curved glass curtain wall that blurs the line between architecture and landscape by bringing the outside environment inside.

▽ 为当地人打造真正的公共空间

‖ 室内-混沌有序 Interior & Order ‖

建筑最高点22.4米，分为地上三层和地下一层。首层以公共空间为主，分布入口大厅、报告厅、互动展厅、咖啡餐饮等。二、三层以展览为主，分布中医药展厅、科技文化展厅及中医药工作室。地下一层以停车及配套为主，结合下沉广场设置商业互动空间，提供多种活动的可能性。

The structure has three stories above ground and one storey underground，reaching a height of 22.4 meters at its highest spot.The majority of the public areas, including the entry hall, report hall, interactive exhibition area, coffee, and dining area, are located on the ground floor. The primary display area, which is organized into TCM exhibitions, science and technology exhibitions, and TCM workshops, is set on the second and third floors. Parking area and utilities are on the underground floor. Additionally, the underground area combines with the exterior sunken plaza to provide interactive and commercial spaces, offering a range of recreation activities to the public.

▽ 三层通高入口空间

▽ 可灵活使用的内部空间

建筑入口即为三层通高的中庭，多层次的曲线平台丰富了内部空间，也为后期展陈提供了多种可能。天窗与通透的玻璃幕墙将阳光与生态景观引入室内，参观者在各层的高度都能以不同的视角与自然产生互动。室内空间延续建筑设计理念，将整体形态蜿蜒流动的曲线延伸到室内，空间的各个要素有机地交织在一起，虚实相间，混沌有序。

Multi-level curved platform in the three-storey entrance hall enriches the interior space and extends exhibition varieties. Visitors can engage with nature from various vantage points at all levels thanks to the skylight and transparent glass curtain wall, which let the sunshine and natural landscapes enter the interior area. The flowing curves of the exterior shape are carried into the interior space, continuing the architectural motif. The many components of the room are organically interwoven together to create order within chaos and Yin within Yang.

▽ 建筑外形蜿蜒流动的曲线延伸到室内

▽ 虚实相间，混沌有序

‖ 景观-混元一气 Landscape & Momentum ‖

全区景观以中医药博物馆为核心，建筑本体、流线型的景观绿地、环形连廊围合的内部水域和广场、水上岛屿等元素，共同构成了城市的第五立面，宛如一张巨大的太极图。其充满动势，带动周边环境，形成一团巨大的混元体在进行有序的混化运动。

The TCM Museum is the focal point of the overall landscape design. The architectural body, the undulating landscape area, the water islands, the waterscape, and the public plaza enclosed by the circular walkway, all components of the complex constituting the fifth façade of the TCM city, simulate a gigantic Taiji diagram in continuous motion. The complex gives its surroundings momentum, combines Yin and Yang, and transforms chaos into deliberate order.

▽ 总图 Master Plan

▽ 起伏绿地、曲线水景，围绕着中心建筑旋转，静态曲线仿佛有了动态之势

景观语言应运而生，运动的混元之气转化成起伏绿地、曲线水景，围绕着中心建筑旋转，静态曲线仿佛有了动态之势。混元是天地之大道，其大无外，其小无内，既包含宇宙的运化规律，又隐现人生的本根，天地人混元一体，与中医思想里的整体、阴阳、平衡不谋而合。

The movement of the hybrid energy was transformed into undulating green space and curving waterscapes, which is constantly rotating around the central building. The design of the landscape impregnated both the laws of the cosmos and the foundation of life, which MUDA draws inspiration from the concept of harmony, balance, and Yin-Yang in the traditional Chinese medicine.

▽ 缓坡下降的环形步道，使行人更亲近水域

▽ 东立面包围着建筑体中间的景观和公共空间

景观向全市民24小时开放，成为城市公园和公共空间，服务城市人群。其中四大景观系统：空间系统，创建起伏地形，绿地绵延，打造沉浸式自然氛围；步行系统，串联多条的漫步流线，提供舒适而丰富的富氧之旅；植物系统，种植不同季节的中医药植物，科普知识，疗愈内心；艺术生活系统植入各种类型的艺术形式，预留更多灵活可变的艺术空间。漫步园区，不仅能学习中医药文化知识，亦能从精神上感受到中医的“混元”气运，做到内外调和。

The landscape is aimed to become a true public space for urban population, thus the entrance of the landscape and circuit walkway is separated from the museum entrance and it offers 24/7 access for the public. There are four main landscape systems present: A plant system where different seasonal TCM herbs are planted in designated areas for common and accessible herbal knowledge; a spatial system that creates undulating terrain and stretches of green space to create an immersive natural atmosphere; a pedestrian system that links multiple walking routes to provide a comfortable and oxygen-rich journey; an artistic living system that implants various types of art forms to reserve more flexible and variable art spaces. With its participatory, interactive and open atmosphere, it also acts as a public platform that accommodates exhibition, education, social interaction and experience of nature. Standing comfortably in its surroundings, the design has created a welcoming public space for the city.

▽ 错落的台阶逐步变为建筑的东立面，纵横交错，混元一体

▽ 错落种植了中草原园圃的公共空间24/7面对市民开放

‖ 结语 Ending ‖

天府中医药博物馆作为天府中药城的标志性建筑，是整个园区的精神堡垒，不仅承载着千年传统中医药学的厚重历史，也是对未来中医药的传承和发展的期许。此次设计对于MUDA慕达建筑而言，是一次融合建筑、自然、城市与传统文化的尝试，也是一次思考中国传统哲学思想与当代建筑的契机。

Being the centerpiece of Tianfu Traditional Chinese Medicine City and the spiritual symbol of the area, Tianfu TCM Museum is imbued with the history of traditional Chinese medicine and the expectation of the future inheritance and development of Chinese medicine. The design, according to MUDA-Architects, is an effort to blend architecture, nature, the city, and traditional culture as well as a chance to speculate about traditional Chinese philosophy and contemporary architecture design.

▽ 雪景下的中医药博物馆