马塞尔高特罗展馆设计

公司：	Vazio S/A	类型：	室内
地区：	巴西	标签：	文化空间

"马塞尔-高特罗：潘普尔哈发明的现代记录"展览设计试图对Casa do Baile的建筑做出回应，并从这一前期存在，或者说从那个典型的现代建筑空间中构思出来。

The exhibition design of the show “Marcel Gautherot: modern records of the invention of Pampulha” seeks to be a response to the architecture of Casa do Baile (Oscar Niemeyer, 1943) and was conceived from this pre-existence, or from that quintessencial modern architectural space.

Casa do Baile大厅的平面是圆形的，它的圆形是由一系列的砖石和玻璃拱门定义的。就像我们提议的展览一样，它也是由拱门组成的。在与大厅的限制对话中，它们定义了新的凹和凸的环境，或者说是弯曲空间中的弯曲空间。它们是与CB建筑对话的板块，并为展览增加了运动，诱导参观者穿过拱门的四个侧面，创造出不同的空间通道--或狭窄或开放和宽阔。

The plan of Casa do Baile’s hall is circular, and its circle is defined by a sequence of masonry and glass arches. Like the exhibition we propose, which is also made of arches. In dialogue with the limits of the hall, they define new concave and convex environments, or curved spaces within a curved space. They are panels that dialogue with CB’s architecture and add movements to the exhibition, inducing the visitor to go through the four sides of the arches and creating different passages of space – either narrow or open and wide.

凸面面向建筑的砖石拱门，那里安装着展览字幕，是参观的起点。这些凸面始终是光滑的，而凹面则始终是 "建设性"的，露出其结构和骨架。

The convex sides face the building’s masonry arch where the exhibition credits are installed, the starting point of the visit. These convex sides are always smooth, while the concave sides are always “constructive”, revealing their structure and skeleton.