Mr. Barrett住宅花园

公司：	BUREAU	Type：	景观
Area：	瑞士	Label：	庭院花园

莱曼湖畔，远眺着雄伟的阿尔卑斯山，项目位于这片片广阔的场地上。我们将客户称之为“巴雷特先生”，是1963年约瑟夫•洛西的电影《仆人》中的一个角色的名字。

There is a vast private and beautiful site, a plot on the Leman Lake, looking towards the majestic Alps. The fictional character that we have called to invest our site is Mr. Barrett, the particular caretaker of the 1963 Joseph Losey’s film The Servant.

客户委托在他的房子旁边设计一个花园，在设计过程中，我们取得了项目的第二阶段设计，即对巴雷特先生住宅的小木屋的改造。花园与房子形成了某种空间对比，由于小木屋的内部是垂直“组合式”的，并且在其尺寸上相当适中，因此我们也在花园中延续木屋的氛围，提供了不同的开放水平区域的体验，微妙地被植物包围。

The primary purpose of this private commission was to design a garden that, during its realization, started to dialogue with a second intervention on the same plot, the renovation of a chalet, Mr. Barrett’s house. The garden presents some sort of spatial contrast with the house; as much as the interior of the chalet is vertical, “sectional” and quite modest in its dimensions, the garden offers an experience of diverse open horizontal areas delicately enclosed by plants.

花园是一个户外的生活空间，有着与众不同的氛围，被认为是向湖水的水平性的梯度流动。小木屋以其本色和内敛的特点开启了这个空间。在木屋的前面，朝向西方，大草原是一个亲密而相当封闭的空间，围绕着一棵核桃树，花园则为这棵树留下了空间。通过一些边界种植，它的目的是随着时间的推移创造一种绿色的内部感觉。主屋将两个部分衔接起来，并转向东花园，东花园采用了相当低矮的种植策略，并慷慨地向岸边的壮丽景色开放，最后一刻，向湖上的平台开放。现有建筑（木屋和主屋）的某种沉重感被花园的体验所减轻。

The garden, a place where to live outside with very different atmospheres, is thought as gradient flow towards the horizontality of the lake waters. The chalet opens the sequence, with its vernacular and introverted character. In front of it, orientated to the west, the prairie is an intimate and rather enclosed space that evolves around an important and impressive existing walnut tree. This part of the garden very simply leaves space for the tree. With some border planting, it aims to create with time a feeling of green interiority. The main house articulates the two parts and turns to the east garden, which develops a rather low planting strategy and generously opens to the magnificent view towards the shore and the final moment, the platform on the lake. A certain heaviness of the existing architecture (chalet and main house) is lighten by the experience of the garden.

整个花园由建筑元素点缀：平台、长椅、照明、盖子、略微升高的菜园和桑拿房。所有这些元素都经过精心处理，并在结构上注意与地面和种植园建立特殊的关系，其中一些元素漂浮在植物之上，以便始终提供远处山景。

The whole garden is punctuated by architectural moments: platforms, benches, lighting, a cover, a slightly elevated vegetable garden and a sauna. All of these elements have been treated with delicacy and a structural care to establish a special relation to the ground and to the planted garden, some of them floating over the plants in order to always offer a long-distance view to the mountains.

总体设计策略的灵感正式来源于Roberto Burle Marx的卡瓦内拉斯花园，将植物群落、色彩和氛围集中在圆形的表面。这种方法创造了不同尺度和场景的色彩、花卉、野生植物和蜿蜒的体验，以及对花园的总体理解。如同在卡瓦内拉斯的例子中伯乐马克思和尼迈尔的建筑之间的关系一样，建筑元素的几何形状与花卉圆型的合奏形成对比。

The general design strategy is formally inspired by the Cavanelas garden of Roberto Burle Marx, concentrating plant groups, colors and atmospheres within rounded surfaces. This approach creates different scales and scenes of colors, flowers, wild planting and a meandering experience as well as a general comprehension of the garden. As in the relations between Burle Marx’s and Niemeyer’s architecture in the Cavanelas’ example, the architectural elements’ geometry contrasts with the floral rounded shape ensembles.