Nancagua 市政厅

公司：	Beals-Lyon Arquitectos	类型：	景观
地区：	智利	标签：	文化空间

Nancagua是智利中部的一个农村小镇，新的市政厅旨在创造一个能够容纳各种公共场合和活动的空间。由于它的位置靠近一个古老的公共公园和一些历史建筑，它也使得恢复和加强当地的自然和人工遗产成为可能。

The new City Hall in Nancagua, a small rural town in Central Chile, aims to create a space able to accommodate various public situations and events. Because of its location, close to an old public park and to several historical buildings, it also makes possible the recovery and enhancement of the local heritage, both natural and manmade.

该项目在公众竞赛中胜出，其重点不在于建造一个标志性的体量，而在于创造一个令人难忘的公共空间，将城市与宝贵的、但以前被忽视的公共公园有效地连接起来。与其他具有高度公民精神的空间一样，如希腊阿索斯的agora或威尼斯的圣马可广场，该项目强调的是空间的设计，而不是孤立建筑的设计。具有公共性质的空间被创造出来，使其成为公共生活的催化剂。

The project, winner of a public competition, focuses not on the construction of an iconic volume, but rather on the creation of a memorable and public void that effectively connects the city with the valuable, but previously overlooked public park. As with other spaces with a high civic spirit, like the agora of Assos in Greece or the Piazza San Marco in Venice, the project emphasizes the construction of a void over the construction of isolated buildings. Spaces with a public void is created and “charged” so that it becomes a catalyst for public life.

为了将城市与公园连接起来，我们提出了一个开放的广场，将城市与公园连接起来，在其两个较长的边上（南北）被新的市政建筑所限制。广场在竞赛简介中并不存在，但却成为项目的中心。一个城市的空白，允许各种意想不到的情况和事件发生，无论是个人还是集体。

In order to connect the city with the park we propose an open square that links the city with the park, limited on its two longer sides (north and south) by the new municipal building. The square, non-existent in the competition brief, becomes the centre of the project. An urban void that allows for a wide range of unexpected situations and events to happen, whether individual or collective.

该项目在广场的另外两端建立了联系，它们面对的是完全不同的现实，对这两端作出相应的反应：当它在街道上创造了一个空旷的角落，打开了城市的大门，它建立了一个门廊和一个台阶，上升到公园上方。这两个门槛共同作用，有效地将城市与公园以渐进和连续的顺序连接起来。因此，我们希望能还原百年公园的荒废状况，使其出现并拉近与城市的距离。

The project builds a connection between the two other ends of the square, which face completely different realities, reacting accordingly to both of them: while to the street it creates a void corner which opens the city, it builds a portico and a step that rises over the park. These two thresholds work together, effectively connecting the city with the park in a gradual and continuous sequence. Thus, we hope to revert the derelict condition of the centennial park, making it appear and bringing it closer to the city.

由一个规则的柱廊形成的画廊，它的大小和物质性来自于公园的前赞助人之家的画廊，它的前身是城市的市政厅，是界定和统一主要的中心空间。同时，在较小的规模上--更多的是家庭生活--是在这些长廊里，日常生活将在这里进行，将所有可能发生的事情以一种不可预见和不可控制的方式隐藏在建筑后面。

Galleries formed by a regular colonnade, which takes its size and materiality from the galleries of the former patronal house of the park, and which was formerly used as the city’s town hall, is what defines and unifies the main central space. At the same time, but on a smaller scale –more domestic as it were- is in these galleries where the daily life will take place, hiding all what could happen in an unforeseeable and uncontrollable way with the building behind.